Wright in Trifles lashes out against the cage of her gender role by killing her husband, Nora’s character decides she wants to break free from her gender role Nora’s complex personality proves to be hard to predict to the very end, when she decides to shirk her duties to her husband and children to focus on herself, to serve her own needs for individuality. Indeed, Nora quite easily refuses to be the rag doll in her husbands house anymore, once she realizes that they have never exchanged a serious conersation in their entire relationship not including the talks they had earlier about Krogstad or about family fianices. You see small acts of rebillion from Nora when she snakes on sweets forbidden by her husband and when the husband finds the sweets, she lies: saying her friend brought …show more content…
We begin to see the power of human relationships when these women try to solve their problems, without the help of men, on stage. And that is exactly how they wrote them to be seen—not as women, but as strong independent people . Those are the effects that occur when we allow what we read and see to influence our thinking, and ultimately they are why Trifles and A Doll's House have become so renowned as plays that challenge gender roles.
Women over the years have been gaining power and breaking glass ceilings. Women are now teachers. They are doctors, they are supreme court justices. They have the right to choose, the right to education in most areas of the world. The right to vote, the right to do pretty much what they want. In A Doll’s House by Henrik Ibsen and Trifles by Susan Glaspell, you saw the change the drastic measure that these ladies are willing to put themselves