Stanley, as the antagonist in the play, exemplified the typical lower class male envious of the aristocracy revels in his abusive and vindictive nature. As I watched the 1951 film representation of A Streetcar Named Desire I found that my perception and representation of these characters within this play were not the same as the character portrayals within the film. Therefore, after reviewing both I believe the factors that precipitated this change was the film unnecessarily manipulating settings, the visual and audio aspects influencing perceptions and the actor’s portrayals of the main characters which helped to modify my preconceived internal visualization of this story. In the film, the director must have felt the need to provide visuals of the various settings that were merely mentioned within the play in hopes of providing depth to the storyline. Although in my case, these additions became a distraction after reading the play. The new settings of the casino, factory and bowling alley along with the interactions created for the main characters within these settings was the beginning of monumental