The Flaubert chapter provides a vivid representation of the lithographs of Cairo, paintings from diverse archaic periods, photographs of transport systems, and various landscapes. The urban representation by Hopper where there exist social disintegration, isolation, and alienation between persons stands in contrast to the sublime and pastoral scenes depicted in the romantic epoch or from those of impressionists such as Van Gogh. ‘The River Wye at Tintem Abbey’ by Loutherbourg denotes the majestic and calm nature of the harmonious relationship between man and animals. The image of a shepherd with the cows and the peacefulness with the surrounding landscape is an illustration of the ‘redemptive power of nature’; the link between the three parties acts as relieve to the urban scene when it appears in the memory. The relationship between the sublime and man is very clear in De Loutherbourg artistic impression with the figures of the foreground, and the outstretched held hands while experiencing the landscape’s overwhelming