Real 2ironic and/or sarcastic way; i.e. words mean what they are supposed to, even though the personauses common concepts in an exalted fashion. A primary analysis from a structural point of viewshows us immediately a noticeable difference in the approach apropos of the subject. WhilstWhitman does not ‘utter’ any a priori attitude through rhyme, Brooke sets a serious, exaltedambient that instantly influences the reader—perhaps even unconsciously—to have a seriousreading of the poem.Now, if we go deeper into our analysis, we will have to focus on the words themselvesand, at the same time, we must perceive the feelings that run through them: i.e. the theme of each author in the face of the same topic. In the beginning of “Reconciliation,” Whitman firstexplains to us that reconciliation after a war—in spite of everything that has been said—is onlya word (1). Although he says that is a beautiful one (Whitman 1), he is not praising it: he isstating clearly that there is no true reconciliation, because you cannot totally clean the woundscreated by your actions, as you cannot resurrect the Dead nor make people forget the traumaticexperiences they suffered. On the contrary, Brooke’s “The Soldier” begins with a truly strongstatement in favor of War, as he justifies the casualties of it: “If I should die, think only this of me / That there’s some corner of a foreign field / That is forever England” (1-3). The persona of this poem clearly does not care about his life; for him, it is not a matter of life and death butinstead, a matter of England—and overall, the defense of Her. Meanwhile, on Reconciliation’ssecond verse, Whitman ironically employs the adjective beautiful again, but this time he puts itbesides war, attacking the construction shortly after by enunciating the consequences that‘beautiful’ war will bring in an unknown future (2). Moreover, in this way Whitman evenhighlights the importance of those consequences. In the third verse the persona in“Reconciliation” concludes this idea, developing a cycle about war, using adverbs repeatedly
Real 3and directly relating war to death and darkness, being darkness figuratively shown throughnight (Whitman 3). Also, Whitman uses a visual imagery to describe death, as it can be seenhere: “That the hands of sisters Death and Night,
incessantly
softly
wash