The work of art I am examining is the Colossus of Akhenaten from the temple of Amen-Re in Karnak, Egypt. It is from the New Kingdom, 18th Dynasty, dated to 1353 BCE. This work of art best exhibits the Amarna style. Stepping away from the stoic and masculine style of the early and middle kingdoms it shows an organic and feminine pharaoh.(3)
The colossus depicts the king in a traditional pose wearing a false beard, crossing his arms, and holding a crook and flail. These however, are the only traditional aspects of the sculpture. Most kings before Akhenaten were depicted with broad masculine shoulders, straight hips, and a flat chest.(2) There was a harsh geometric quality to the lines used. The negative space between figures was flat and without movement. But in the Amarna style organic flowing lines are implemented. The negative space is lively with movement. Shape is also more organic, round and sensual. In this sculpture Akhenaten is androgynous (partly male and partly female in appearance.) He has large breast, curvy hips, a small waist, and round "pot-belly." (1)
Akhenaten initiated these stylistic changes when he came into rule, and religious changes accompanied them. Akhenaten was a worshiper of the sun god. He wished to convert Egypt to his monotheistic religion which was very unpopular with the people. Some theorize that Akhenaten's desire to be more like his god, the life providing sun, is why he wished to be depicted with a feminine body- females being the life bearers. (3) Other have theorized that the change in style was towards realism, saying the Colossus of Akhenaten is an accurate
