Cat Charbonneau
Hulst
History of Art Survey II
27 April 2014
Wӧlfflin’s Principles of Art History Paper
[The baroque,] in place of the perfect, the completed, gives the restless, the becoming, in
place of the
limited, the conceivable, gives the limitless, the colossal. The ideal of beautiful proportion vanishes,
interest concentrates not on being, but on happening. The masses, heavy and thickset, come into
movement” (Wölfflin 10).
In the reading, Principles of Art History, Heinric…
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