She longs for a relationship, but her insecurities and illusions ultimately end up pushing away any prospects, such as Mitch. After Mitch has been enlightened of Blanche’s past, her deceptive nature comes to light and Mitch realizes that he can no longer trust her. He comes to the revelation that Blanche meticulously places herself in areas of minimal light exposure, and that he is unaware of her true age. The Governess shares a similar desire for love as Blanche, which affects many of her choices throughout “The Turn of the Screw.” The bachelor, who trusted the Governess with caring for his niece and nephew, demands that she not contact him under any circumstances regarding the children. Although it is not explicitly stated by the Governess, it is likely that she feels some level of attraction toward the bachelor. This would explain why she is so reluctant to contact him when things at the estate begin to go awry; she doesn’t want to get on the bachelor’s side and jeopardize romantic involvement with him in the future. This is just one of many possible interpretations of the Governess’s …show more content…
This quote concerns the Governess’s increasing paranoia and suspicion that the children are communicating and conspiring with the ghosts. This is another example of the freedom that the genre of fiction allows authors to express their creativity. These works of fiction both use genre-specific techniques to generate psychological tension to create the atmosphere of the story. The dialogue, character interactions, and stage directions of “A Streetcar Named Desire” work together to produce dynamic relationships between the characters. The complex relationships between characters that shift as confrontations occur create a tense atmosphere where the audience is anticipating an argument or fight at any moment. The setting, a small and run-down apartment, allows little privacy, which instigates conflicts. For example, when Stanley and his friends are playing poker and Stella and Blanche return to the apartment early, they begin playing music in a separate area, which angers Stanley so much that he throws the radio out the