Brilliant Muses

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5 Brilliant Film-Makers and their Brilliant Muses

Art has always been about artists being inspired by their muse, and cinema is no different. The muse could be another human, a pet, nature or even imaginary, but there is something definitely fascinating and exciting in seeing two people come together and elevate their art. And no where is this more evident then in the relationship between a film-maker and his, and unfortunately very rarely her, muse. Cinema is after all the most collaborative of all the arts.

And so here we explore five brilliant film masters, alive and dead, and their brilliant muses...

Michelangelo Antonioni and Monica Vitti
Antonioni is known best for his series of four films: “L'Avventura” (The Adventure, 1960), “La Notte” (The Night, 1961), “L'Eclisse” (The Eclipse, 1962) and “Il Deserto Rosso” (Red Desert, 1964), all of which star Monica Vitti, his muse and lover. Their first film together was a sensation, and Vitti went onto become perhaps the most globally recognized Italian female actor.
After a fall out, they stopped working together and did not collaborate until
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Though his producers were keen to have Holly Hunter or Meg Ryan, Tarantino was clear he wanted Thurman, and surprisingly—for a supporting female actor—she was pre-dominant on a lot of the movie's promotional materials. One possibility is that Tarantino had fallen in love with her the first time he met her. He has often described her as his muse, and said in an interview:
And inspire she did. As an example, the character of the bride in the “Kill Bill” movies (2003-04) was cooked up by the two of them during the production of Pulp Fiction, and they worked on it for hours at a time. Interestingly they have only worked together on the above films. Samuel L. Jackson has done more and he is not the only