The movie starts with Adam Jones in leather jacket and a sunglasses roaming around New Orleans and shucking oysters -a rough work that is commonly done by minimum-wage male workers in the kitchen. This image of masculinity is a contrast to when the audience is introduced to Tony, the flamboyant, classy maitre’d of The Langham with an accent (that definitely does not sound French nor anything European). Tony’s characteristics can be considered as almost feminine and eventually, the audience figured out that Tony is a homosexual. This contrasting attribute in the first 20 minutes of the movie has set a certain hierarchy and roles of the hero and the caretaker in Burnt . Burnt, by its best, is a mockery of masculinity and desire of a chef to strive for excellence. The perception of overly ambitious and offensively aggressive chefs have been constructed since the introduction of Anthony Bourdain’s Kitchen Confidential and Marco Pierre White’s The Devil in The Kitchen and, quite obviously, Hell’s Kitchen with the image of Gordon Ramsay who is -not surprisingly, one of the executive producers for