Just as McCarthy turned the House Un-American Activities Committee, a body which was initially created to find American citizens with ties to the Nazis, into a communist witch hunt, Captain Black twisted his own investigatory board to attack “subversives.” His board’s methodology was similarly questionable, relying mostly on Captain Black’s personal opinions of people. In one poor corporal’s case, “Captain Black knew he was a subversive because he wore eyeglasses and used words like panacea and utopia, and because he disapproved of Adolf Hitler, who had done such a great job of combating un-American activities in Germany.” This tremendous irony of Hitler himself being more American than a corporal in the United States Army––and less subject to a committee initially intended to root out Nazis––goes unnoticed by the characters amid the constant contradictions of the world around them, but it stands out starkly to readers in the American culture who, in 1961 when Catch-22 first was released, were less than a decade removed from McCarthy’s mayhem (Heller