The denial of ideas can gradually lead to the torment of one's self. Charlotte Perkins Gilman’s “The Yellow Wallpaper” takes place in a large, isolated house during the 1890s, and an unnamed woman, the narrator, has mental instability. As she struggles and suggests different courses of action for herself, the dominant male ideas surrounding her neglect her emotions, “...I told him that I really was not gaining here, and that I wished he would take me away.” Her husband responds to the woman by saying, “...but you really are better, dear, whether you can see it or not. I am a doctor, dear, and I know” (Gilman 11). The dependence on her husband and his decisions reflects the overarching patriarchal standards enforced towards women as he has the main control over his wife. Her husband’s power grows through the invalidation of herself and her opinions. This misunderstanding of women due to men’s unconcerned thoughts showcases how females gradually become represented as this lesser being of knowledge towards