The next song the two played was Sonata in C Minor, BWV 1017. Before Shallit and Spinder played the sonata, they explained that the interaction between the piano and the violin was like an endless conversation. At the start the largo seemed rather sorrowful. It was slow but almost peaceful to listen to. Out of the four parts, the first and last time the allegro were played was my favorite in the sonata. At the start the piano was very loud and powerful but as soon as Shallit entered with the violin, Spindler softened the piano so the violin was heard. The dynamics in this section were very profound and beautiful. The third section was the adagio. This section was very slow and relaxing at first in comparison to the allegro and then sped right up. Out of all the piaces that the two played the Sonata in C Minor was my favorite.
Right before the intermission Shallit and Spindler played a more modern piece. The song was “Blue Hills of Mist.” Spindler put various items on the strings of the piano to give it a much different sound. The whole song had like a futuristic feel to it. The corresponding parts of the song made if feel as though you were viewing something for the first time and you’re exploring