Culture and Osonye Tess Onwueme Essay

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Osonye Tess Onwueme (born September 8, 1955) is a Nigerian playwright, scholar and poet, who rose to prominence writing plays with themes of social justice, culture, and the environment. In 2010, she became the University Professor of Global Letters, following her exceptional service as Distinguished Professor of Cultural Diversity and English at the University of Wisconsin–Eau Claire. She has won several international awards, including: the prestigious Fonlon-Nichols award (2009), the Phyllis Wheatley/Nwapa award for outstanding black writers (2008), the Martin Luther King, Jr./Caeser Chavez Distinguished Writers Award (1989/90), the Distinguished Authors Award (1988), and the Association of Nigerian Authors Drama Prize which she has won several times with plays like The Desert Encroaches (1985), Tell It To Women (1995), Shakara: Dance-Hall Queen (2001), Then She Said it (2003), among numerous honors and international productions of her drama.[1] Through her plays, she is able to use the theater as a medium to showcase historically silenced views such as African Women, and shedding more light on African life. She sustains her advocacy for the global poor and youth, along with the experiences and concerns of the (African) Diaspora in her creative work. In 2007, the US State Department appointed her to the Public Diplomacy Speaker Program for North, East, and West India. The 2009 Tess International Conference: Staging Women, Youth, Globalization, and Eco-Literature, which was exclusively devoted to the author's work was successfully held by international scholars in the Nigerian capital, Abuja, following the Fonlon-Nichols award to the dramatist. She is regarded as one of the band of more important Africann Tess Onwueme’s play Tell It To Women, we travel back to a Nigerian village in postcolonial Africa. The story enlightens the audience about the dichotomy of traditionalism versus modernism and the ways in which different
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Tell It To Women

In Tess Onwueme’s play Tell It To Women, we travel back to a Nigerian village in postcolonial Africa. The story enlightens the audience about the dichotomy of traditionalism versus modernism and the ways in which different cultures interact. It ends by revealing the true meaning of culture; the real quality in a society that arises from a passion for what is excellent in arts, manners, and customs. Overall, the play discusses the role of women within this Nigerian village and largely examines the…

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