Later he created a famous two panel painting that incorporated the principle of linear-perspective in which all of the lines present in the painting receded in unison to the horizon, and soon after this style was introduced it was widely copied by almost all Florence artists. Unfortunately the panels are lost to us today. He also invented many machines specifically for the construction of the dome of Duomo, and his archrival Ghiberti also submitted models of how to construct the dome. This time Brunelleschi was the one who had won the competition with his idea of arranging the brickwork in a herringbone pattern between stone between stone beams because it didn’t require the use of wooden framework. This building differed from other models that were submitted because it was a direct throwback to Roman architecture. This dome was erected mainly because the cathedral lacked a roof, and because they wanted to showcase the glory of Florence and to exhibit Florence’s wealth by erecting the highest cupola that had ever been built. This feat of architectural prowess elevated him to the level of the most famous architect in all of