Wilde sees this obsession as destructive and utterly absurd. While discussing how life had been quite dull for both Basil and Lord Henry, Lord Henry suggests that, “Sin is the only real colour-element left in modern life” Wilde. Page 42) meaning that sinning is the only aspect of life that is ever to color the dull landscape of what it had become. While subtly foreshadowing the deterioration of Dorian Gray, the reader is introduced to the idea of a most certain tragedy. If sinning is the only way to bring life to a dull and boring world, how is anyone to live peacefully? The foreshadowing then becomes a reality for Dorian Gray after being cursed with infinite beauty and youth. The realness of life had been extracted by the presence of infinite beauty. Upon realizing the lack of emotion, Dorian realized that, “Ugliness that had once been hateful to him because it made things real, became dear to him now for that very reason. Ugliness was the one reality”(Wilde.Pg 215). He had been so caught up in the surreality and of beauty that he lost touch with his life. He was no longer able to live a normal life, craving something to bring him down from his everlasting high on superficial beauty. The use of epigrams outline the key aspects in Dorian’s downfall, which sheds light on Oscar Wilde’s harsh critiques of the over-objectification of beauty in Victorian