She feels imprisoned by the world she formerly thought of as her home, “Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing, there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic.” (Chopin 89-90). Even the most arbitrary objects in her city are perceived differently by Edna upon her return, and she wants nothing more than to rebel against societal constraints. She does this by neglecting her Tuesday duties, engaging in walks unescorted, and pursuing relationships with Alcee Arobin and Robert Lebrun. The domestic harmony present throughout her return to New Orleans showcases Edna’s realization that the disharmony she feels exists in her relationship with herself. She becomes aware that this disharmony is caused by her role as mother, and begins to view her children as antagonists who are overpowering her, and thereby forcing her to submit to the demands of society. Edna’s realization of motherhood as the ultimate construct she must escape from foreshadows the ending of the novel, when she escapes her motherly obligations in the only way she possibly can – by killing