Throughout the Roaring 20s, Ellington used to perform with his 10-member band ensemble in Broadway nightclubs, in which Ellington would be the bandleader. A few of Ellington’s most memorable bandmates would be innovative trumpeter Bubber Miley, who utilized the plunger as a mute in order to produce a “wa-wa” sound, and also Joe Nanton, a famous trombonist who would produce a growl like sound from his bell. Ellington sought to define music through characteristic sounds and melodies that reflected a genuine musical experience with African influence. This is how the famous 2/5/7 chord came about, and also playing in a swing style that would focus on the beats 2 and 4 rather than the downbeat of 1, this revolutionized traditional American music which was influenced greatly by European square-like Waltz styles. Instead of playing the traditional American favorites as they were once known, Ellington and other renaissance musicians would add some African characteristics to it, in order to provide a more abstract feel. This was possibly the solution to satiating musicians with what they truly felt and also the listeners by providing them with a sound that would have them either moving to the upbeat jazz/ragtime or taking it slow to the downbeat jazz/blues. The whole coming together of musicians and performing songs together is what shaped