He conveys the truth behind the facade of a Christina family and ventures to show social prejudice and stereotypical attitudes of the conservative suburban communities. The social gender norms of the time included men going to the office and women staying home with domestic duties. In the All-American alienating society, homosexuality was a ‘disease’ it was unacceptable as discussed by Eleanor emphatic statement “I just like all the men I'm around to be all men ”, this metaphor exposes the social concern about homosexuals and confirming that they were outsiders in this context of time. Women were also discriminated against as they had unequal rights and had no representation in the political or professional line of work. Cathy’s social norms mean her duty to stay home and take care of motherly issues. In the film, she is marginalised when gossip runs about her association with an African American man, Raymond. She holds a pretty mask to conceal her emotions “It's all smoke and mirrors”, a metaphor for her inner turmoil. Cathy as an outsider is subject to hypocrisy and alienation due to her gender and association with people. Haynes social concerns about gender and sexuality divers from the social stigma and norms of the 20th century. He uses of language devices and controversial issues reflect the concerns her raises. This …show more content…
In the 1960’s civil rights movement still held a social stigma against African Americans and interracial association. Raymond as an Africa American man had many experiences of being an outsider and expresses his concern “mixing in other worlds. I've seen the sparks fly. All kinds” , expressing imagery and symbolism about the of the two societies, comparing them as different worlds. Additionally, the idiom “sparks fly” symbolise the violence in society. Further in the film a key scene feature which depict the true alienation against Raymond when he tries to stop Cathy from leaving.The camera zooms to a close-up of the place of contact, immediately followed by a man shouting “You boy, hands off!” and then the camera focuses on the public who have frozen at the situation. The camera zooms on several disgusted faces spanning a 360 shot of the community. This shows the prejudice against Raymond and how in the scene, he is the only African-America there makes him stand out even more. Raymond asks Cathy “Do you think we ever really do see beyond those things? The surface of things?”, this self-reflection question depicts the utter grief, Raymond. This high modality rhetorical question is the main area of concern. Todd Haynes depicts the film in the perspective of different outsiders from different perspectives of life.His concern of alienation and racial