Popular fictions texts expressing views of the future educate audiences about current issues and the dystopias that develop from them. Texts such as the film ‘Gattaca’, directed by Andrew Niccol and novel ‘Fahrenheit 451’ by Ray Bradbury explore futuristic societies and the implications that become of their innovation. Although entertaining, texts such as these are didactic and must be taken seriously, as they communicate messages to audiences regarding prevalent concerns and possible futures based on society’s choices.
‘Gattaca’ (1995) directed by Andrew Niccol, follows the story of the underdog Vincent, who is challenged by genetic discrimination against ‘in−valids’ like himself. Through an elaborate identity switch and the help of…show more content… Silence is broken by the rising volume of diagetic sound effects, such as the beeping sound of accepted ‘valids’ through the turnstile, as well as an anonymous greeting by a placid female voice: “Welcome to Gattaca”. These techniques develop the idea that society has become lifeless and ‘black and white’, as Gattaca presents characters as clinical and robotic products of genetic modification, teaching audiences about social issues that relate to futures.
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Gattaca addresses current day concerns about the ethical implications of scientific advancement. This film exhibits themes such as elitism, exploring this concept through the comparison of the ‘degenerates’ who do not represent perfection. Gattaca presents audiences with the concept of human genetic modification, and with this, comes discrimination against the genetically inferior, or ‘in−valids’. This is shown by the advanced systems of DNA identity testing, and also through the character dialogue− Vincent: “My resume was in my cells.”
.Irene’s confidence is portrayed through the use of non−dialogue with the character. This defines her security and certainty within herself. In many scenes, film extras wear drab Gattaca uniforms which symbolise their conformity and similarity amongst the ‘valids’. Gattaca uses elements of film noir, such as the chase scene with Anton, Vincent and Irene. The shadows are used as metaphors for the secrets Vincent hides, as he is concealed in
