It tried to provide Black Americans with a sense of belonging by creating this idea of “solidarity of Africans in the motherland and throughout the diaspora” (Decker) and emphasized a “love ethic” (Hill-Collins), which called for wholehearted love for all Black people. By prescribing African-influenced principles to the values of the African diaspora, it created “social cohesion” based on those values (Hill-Collins). The belief that Africa is the center of all civilization served as empowerment for Afrocentric hip hop artists in the way they express the struggle against white supremacy. On the other hand, the Black Power-era nationalism tended to be slightly more political than cultural and was expressed through rappers drawing inspiration from the African-American leaders of the 1960s, such as Malcolm X, and the Black Power movements and organizations of the past, such as the Black Panther Party and the Nation of Islam, and applying them to the struggles of their time. In particular, this type of nationalism tended to emphasize Black militancy, economic self-sufficiency, the idea of “nation time”