Pataki describes this movie as a film that “lies at the heart of Gothic literature: obsessive love and the wish to triumph over death” (227). This movie’s gothic influences include: an isolated home, a mad scientist, multiple characters that commit suicide, the entrapment of a female heroine and numerous family secrets. The isolated location of the mansion in this movie, is a staple in gothic literature, and while visually appealing, it is the home to a wicked scientist named Dr. Ledgard. Pataki states that “just as Frankenstein pries into the nineteenth-century’s science development and its possible wrong turns, Dr. Ledgard similarly raises complex moral questions connected to modern-day scientific issues” (234). The scientist, Dr. Robert Ledgard, has a wife that commits suicide due to seeing her face after a horrible burn accident. His daughter also commits suicide, and Dr. Ledgard blames it on a young man named Vicente. Dr. Ledgard takes Vicente and performs scientific experiments on him to create burn proof skin. He goes on to perform a sex change on Vicente, and he uses the new skin to make him look like his late wife, Vera. The new Vera is trapped and controlled by Dr. Ledgard. Vicente is forced to serve as his late wife (Pataki 225-234). Vicente, now known as Vera, struggles to hold on to who his true identity and maintain his sanity. He