Here, the sculptures actually begin to diverge from the conceptualized abstraction of those which came before them. The figures develop weight-carrying legs and the hips angle to counter the shift of weight throughout the body. Sculptors slowly begin to understand movement and weight within the figure, relaxing the buttocks and shoulders and allowing the head to fall slightly away from the full frontal position. Figures finally begin to appear more life-like, as if they are captured and frozen within an action. Facial expressions become more subtle and natural; the “archaic smile” disappears and whole figures illustrate a certain mood. The figure, although still slightly abstracted, was coming very close to naturalism and beginning to mimic real