Hip-Hop's Influence On African-American Culture

Words: 989
Pages: 4

Boomboxes, breakdancing, and bumptious young guys with bling. Dig deeper and you’ll discover there’s more to just the materialistic objects: beatboxing, sampling, and juggling beats on turntables, followed by layers upon layers of sound, rhyme and free floating verse- this is what hip-hop stood for. It was a cool underground movement of groundbreaking music and self expression that blossomed from the African American community in the 1970s, and distinctly marked its diversification in the late 1980s. Today, it was become a highly influential style of music that has been majorly commercialized and popularized across the world. And personally? I think that it has lost much of it’s original value. Hip-hop is considered to be a dying trend because …show more content…
This politically argumentative and highly influential album focused on topics such as self-empowerment for African Americans, criticism against white supremacy, and challenged the extortions that the music industry withheld during it’s time. In one of their songs listed, "Caught, Can We Get a Witness?" Public Enemy vocally addresses the issue of sampling music in the hip hop industry and copyright violation from a standpoint that supports the practice and claims ownership due to, "black ownership of the sounds in the first place" (Eglash p. 31). Chuck D’s influential hip hop style of rap that intertwines between dynamic dance funk and authoritative cultural assertion also reveals itself in, “Night of The Living Baseheads”, where the lyrics deal with the serious effects of crack cocaine in the African-American communities during the 1980s, “Sniffin', riffin' / And brothers try to get swift an' / Sell to their own, rob a home / While some shrivel to bone”. As Public Enemy produced several other noteworthy hits that shed light on the struggles of the black community such as, “Don’t believe the Hype” and “Bring the Noise” the overall theme of It Takes A Nation of …show more content…
Much like public enemy they exploited the truth behind the the alarming lifestyle for Blacks areas of Compton, California, and South Central Los Angeles. But as Public Enemy neglected to use lyrics that displayed extreme language and sexual context, N.W.A. did just the opposite. Straight Outta Compton was stuffed full of lyrics concerning the gangster lifestyle and the violence and profanity that came along with it. Often critiqued as preacher-provoking and mother-maddening, it was simply reality! And N.W.A wasn’t sugar coating it for the public ear, which enticed listeners to hear more. In their song, “Fuck Tha Police”, rappers Bone Thugs-n-Harmony highlight the tensions between black urban youth and the police through fast paced rap and multiple sampling, “Fuck tha police comin straight from the underground / A young nigga got it bad cause I'm brown / And not the other color so police think / they have the authority to kill a minority.” N.W.A. enforced the idea of every man for himself, a different concept from Public Enemy, but still clearly highlighted the idea of self expression, just as they state in their song, “Express Yourself”, “But you know it ain't all about wealth / As long as you make a note to / Express