According to Pequigney, Shakespeare creates a “homoerotic element” throughout the play, between many of the main characters. One of the most prominent displays of bisexuality is the relationship between Orsino and Viola/Cesario Orsino’s love for Viola formed when he saw her “only as a male servant … in masculine attire,” and “addressed only with the masculine name Cesario” (Pequgu). He becomes drawn to Cesario from the beginning, not realizing it until Viola reveals herself as Cesario. The fact that Cesario is actually a woman, makes him finally obtainable for Orsino, who cannot publicly be involved with another man. The ending of the play when Orsino and Viola dressed as Cesario leave the stage keeps the open bisexuality element strong. This exit supports the idea that Orsino’s love connects to the relationship he formed with Cesario and not a relationship with Viola. Viola becomes an afterthought in Orsino’s love, he doesn’t pay attention to the differences in genders at that point, and he just focuses on his feelings for