So why not test out the theory. If we break down the cartoon into two elements – verbal and visual – and then break down each of those elements, then we’ll truly be able to conceptually grasp the purpose behind the drawing. First, we have our verbal component; a man labeled “workman” tied to a stake labeled “monopoly”; and two of many pictured industrialists blowing flames labeled “Depew” and the other “Monopoly press”. Next, we have the visual component; flames rising from the burning wood highlighted by the faces of industrialists – Jay Gould, William H. Vanderbilt, Russell Sage, Roscoe Conkling, Cyrus W. Field, Whitelaw Reid, and Chauncey Depew. However, the eyes’ of the workman are also looking up to the sky with his suffrage, searching for answers to his misfortune. Obviously, the visual component is much more complex than the verbal, but it also enlightens you with more detailed information, simply because there’s more to be interpreted. Although, in the end, the verbal and visual are infinitely connected; the belt providing insight to who’s strapped to the post labeled “monopoly”. Otherwise, we wouldn’t have any idea who’s being burned and what’s holding them back. So, all in all, they each factor into each other providing the viewer with vivid detail and complementary insight, combining to give us a great