While Ken Burns gives a very short background of the agreement, he does explain that a new system of segregation laws is established named under the minstrel hit “Jim Crow” that makes way for a time where “white rule was brutally re-imposed” and “lynchings became a routine.” This brought upon a stream of African Americans that escaped to New Orleans from the segregation in the Mississippi Delta. With them, they brought the blues, which according to Gerald Early, an African American essayist and American culture critic, was an “aesthetic that freed them from the burden of minstrelsy.” The blues were a combination of spirituals, work songs, call and response, shouts only made possible because of the suffering of the blacks during their oppression as Alberta Hunter, an American blues singer and songwriter explains that “the blues are like spirituals, almost sacred. When we sing blues, we’re singing out our hearts we’re singing out our feelings. Maybe we’re hurt, and just can’t answer back, then we sing or maybe even hum the blues.” Jazz was a music that came from an aspiration for freedom combined with creativity. However racial conflicts are still prominent during the creation of jazz as it becomes a well-known popular style of music. While Jelly Roll Morton, an American ragtime and early jazz