Katherine Anne Porter's The Jilting Of Granny Weatherall

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In Katherine Anne Porter’s “The Jilting of Granny Weatherall,” Granny is as tough as they come. She has survived being jilted at the alter by her first love, outlived her first husband, managed her estate and raised her children, all by herself. One recurring theme is that Granny uses denial as a means to shield herself from certain truths that she otherwise wouldn’t have the courage to face. Even when she is on her deathbed, she tells the attending physician that she is fine, “get along now… there’s nothing wrong with me” (732). Through her use of characterization, Porter shows what truths Granny is unwilling to face and how she is able to cope with these truths by means of denial.
Porter begins the scene with an irate Granny in refusal of
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The letters are from her first love, George, who jilts her at the altar. George is a loose end for her, she does not want her children to discover these letters and the truth about him. In his article about Porter, “To Tell a Straight Story”, George Hendrick says “Granny tried to delude herself into believing that there was nothing wrong with her, just as she had deluded herself about being able to forget her jilting” (180). Denial has been a source of strength for Granny. In his article “The Emerging Pattern in Katherine Anne Porter & the Art of Rejection” William Nance states “The emphasis in Granny’s characterization is upon her strength- the positive structure she has built up on a negative basis” (Nance 139). In spite of her strength, being jilted by George has profound implications for Granny, she names her first son George and her last daughter Hapsy, a name that symbolizes her abating happiness, “a diminutive of Happiness” (Henrick, 180). The everlasting effects of the impact that George has on Granny when he jilts her is