Take the movie “Kick Ass 2” for instance. Mark Millar, the creator of the comic on which Kick-Ass is based on, claimed that the movie had the potential to redefine what “senseless violence” is. But then, Jim Carrey, star of the new superhero in that movie wanted to distance himself from the film because, “in the wake of the Sandy Hook massacre, ‘in all good conscience I’ cannot support the movie’s extensive graphically violent scenes.” (Pozios, Kahmba and Bender). Many critics have found this as an opportunity to split hairs on this incident and attribute his actions to possibly other properties of the film specifically, Mark Millar. He states that he was baffled by Carey’s decision mainly due the movie being: “(a) a work of fiction, (b) less violent than superhero blockbusters, (c) a movie that spends time talking about the consequences of violence” (Rothman). But what Carey wanted to avoid that Millar didn’t understand is that being a movie that is widely accepted as “violent” can leave a different connotation to an average teenager than to an author. Even though Carey knows that aggressive movies may not be the cause of incidents, it does leave a long-lasting resistant impression about violence to those who have seen the