Kouros: A Trip To The Metropolitan Museum Of Art

Submitted By ArianaSimpson90
Words: 805
Pages: 4
Open Document
On Thursday , September 18 I went to the Metropolitan Museum of Arts and after seeing all the beautiful sculptures and artworks , i chose Kouros for my museum report because it showed the Greek's first nude youth male during the Archaic period ca. 600 BCE . My choice for my museum report is a made out of marble and is standing on its own with the left leg moving forward and hands at its sides closely together . This figure is one of the earliest freestanding marble statue was made with Naxian marble in ca. 590-580 BC. Naxian marble is an ancient , course-like grain white marble found in many sculptures during the 7th and 6 century BCE. Around 600 BCE the first marble sculptures were found in Greece and were standing in nude and were votive . Similar sculptures followed this method such as Kouroi , Doryphoros , Anavysos Kouros. While observing this statue i saw it is carved in great detail . It seems like the person who scupltued this statue took their time making the marks and scars look realistic. The body has been used to create a symbol of perfection in arts for centuries . Most of the similar figures were standing nude .I noticed cracks and chips from the statue because over time it started to deteriorate . This figure is very life-size which was made visible by the legs and the knees . The chest muscles , pelvic have showed to have missing details . Looking at the the figure the only eye appealing factor was the hair . The hair was neatly carved in great detail and seemed to have beads on his long curly hair. The fists were clinched together and the legs and elbows were seprated . It seems the legs were where the weight mostly supported due to the strength in the legs. The ears of the figure were pushed back too far which makes me believed it was done on purpose to put more attention to the detail of the face. The ability to walk around and inspect the entire statue allows me to see the different views of the figure and pay close attention to each detail that was put in place. This statue was one of the earliest marble statues of a human figure carved in Attica . The way the he stood with the left leg forward with marks at his sides were a form of Egyptian art . The pose was also common by greek sculptures during the B.C . While i observerd this i noticed the markings were carefully sculpted on the belly, arms and neck . It had perfect lines almost like the sculpter was using a metric ruler . These markings represented the sense of freedom and believed in realism. The way the he stood with the left leg forward with marks at his sides were a form of Egyptian art . The pose was also common by greek sculptures during the B.C . While i observerd this i noticed the markings were carefully sculpted on the mthe belly , arms and neck . It had perfect lines almost like the sculpter was using a metric ruler . These markings represented the sense
Show More

Related Documents: Kouros: A Trip To The Metropolitan Museum Of Art

Kouros And Keroos Sculptures

Sculpture A is from the archaic period. It has similar characteristics to the kouros, calf bearer, and kroisos sculptures. Sculpture B is from the high classical period. Similar sculptures to B are chariot race of Pelops and Oinomaos, kritios boy, and warrior. Both sculptures have some similar and different characteristics. For example, sculpture A and B are males in the nudes and muscular. The first figure is a display of an older man and the second figure is a younger man. Sculpture A is from…

Words 557 - Pages 3

Analyzing Steinberg's The Florentine Pieta

Florentine Pieta for many years. They argue about which scenes are presented in this sculpture along with the true identity of the hooded figure. In 1968 a man by the name of Leo Steinberg proposed the idea of what is known as the “slung leg hypothesis,” which links Michelangelo’s decision to destroy this sculpture. In the sculpture, Christ’s left leg is missing. Steinberg argues that the position of Christ’s leg between the Madonna’s knees in the original design had strong erotic connotations that…

Words 322 - Pages 2

God Dionysus Essay

Dionysus & Pan In this stylistic analysis, I will discuss my observation of the sculpture “Dionysus”. This work of art is a three dimensional, free standing sculpture carved from marble. The piece is from the Roman period carved in the Greek style, around the time of the late classical era of 150-50 AD. It depicts the Greek god Dionysus, the god of wine and inspiration, and his follower the god Pan, the god of nature and Shepard. The art piece in question captures a moment of…

Words 908 - Pages 4

How Does Nataraja Form

Shiva as Lord of Dance (Nataraja) is a sculpture that rests at Norton Simon Museum in Pasadena. This piece created in south India, in what is now the state of Tamil Nadu is one with a tremendous history and mythological back-story dating back to the 19th Century. This bronze sculpture stands about 31-3/4 x 24 x 9-1/2 in. (80.6 x 61 x 24.1 cm) and is a stylized depiction of the Hindu God of Destruction known as Shiva that required a lot of time and skill. Although this statue rests in a museum it…

Words 921 - Pages 4

The Goddess of Love and Beauty Essay

the 4th century BC.1 This sculpture is displayed around other sculptures from Greek and Roman culture, which will recreate its original cultural context to the viewers. This sculpture’s mythological subject matter, overall seductive posture, and exquisite detail thoroughly express the Venus’s beauty. In addition, her nudity started a new conception for female nude to express naturalistic performance and had a far-reaching influence to later art styles. This sculpture was made of marble. Its color…

Words 1812 - Pages 8

Comparing Donatello And Verrocchio's Sculptures

Verrocchio’s sculptures reflect the changes from the first to the second half of the Early Renaissance. There are some similarities and differences between both sculptures. Starting off with the similarities, both sculptures are in the round sculptures, which people can go around to see. Also, they are both placed in front of a major churches and put up on high pedestals. In addition, they both are sculptures of military soldiers, not portraits of individuals. Moreover, both sculptures are done by…

Words 660 - Pages 3

Tlingit Frog Clan Hat: Culture Analysis

accents, and the use of abalone shell inlay. The eyes, mouth, parts of the back and legs of the frog have abalone inlays complementing the bright red lips and finger and toes. The face of the frog is unique to the rest of the mask because it is…

Words 549 - Pages 3

The Significant Crab Analysis

gift is a little wooden sculpture of a crab, and my grandma bought this while she was on vacation in New Orleans, Louisiana. The sculpture of a crab is around an inch in length and two inches in diameter. The sculpture of the crab is well crafted and well painted, the crab sculpture has many textures throughout the entirety of it, it closely resembles a real crab. The sculpture of the crab sits on the hind legs, which are a bit sharp at the ends, and the right claw. The left claw sits on top on the…

Words 595 - Pages 3

Visual Analysis Of Michelangelo's David

The massive size of the sculpture is significant because it was the first time that such a large scale nude statue was made since antiquity. The contemplative look upon this David’s face focuses on the future rather than dwelling on the past. Florence at the time, in which Michelangelo…

Words 1294 - Pages 6

Laocoon: Trojan War and Huge Wooden Horse Essay

Laocoön and his Sons The tale of The Trojan Horse sets the background for the famous sculpture 1Laocoön and his Sons. In the tale, the Trojan War had been going on for ten years; the Greeks concocted a plan as a last effort at finally defeating the Trojans. The Greeks constructed a huge wooden horse and hid an army of men inside of it. Appearing to abandon the war and sail home, they left behind the massive wooden horse. The Trojans gathered outside the city to try and figure out what…

Words 610 - Pages 3