When the fairy maiden rides in to rescue Lanval from the court she and her horse defy common expectation: “The palfrey’s trappings were rich; under heaven there was no count or king who could have afforded them all without selling or mortgaging lands. She was dressed in this fashion: in a white linen shift that revealed both her sides.” (de France 551-561) Not only does de France declare the maiden’s status higher than that of a king, she enhances her independence by allowing her audacious composure and a fresh physical appearance. Upon sight of her astonishing beauty, the judges acquit Lanval of all charges; the maiden is a heroine. To further exemplify her prominence, Lanval leaps onto the back of the palfrey and is carried off by the fairy maiden who maintains her position of power by guiding them to