Stated before, Krasner was mourning the tragic death of her husband and became an insomniac. In the series she abandoned the use of bright colors – her paintings became darker, using primarily black and white and the occasional splash of dark hues. Seen in Night Creatures (1965) Krasner’s composition is covered with black and white swirled strokes over a dried blood red background. Krasner discarded the use of vibrant colors because she started painting at night – she felt that using such colors would only feel during the daytime. Night Creatures (1965) conveys depression within the composition. Krasner’s brushstrokes haphazardly swirl over the canvas, juxtaposed by harsh linear strokes. The composition’s aura is dark and painful; the viewer is washed over with grief and confusion, trying to analyze the mindset of Krasner. Krasner said, “Painting is not separate from life. It is one,” the intertwining of life and art mindset of Krasner is clear through Night Creatures. She uses painting to deal with the grief she feels and the sleepless nights caused by said grief. The swirled circle strokes within the composition appear to be tired and troubled eyes. Shown in the detail, Krasner creates a pair of eyes. The eyes appear to be tired, with bags underneath showing the effects of insomnia. Also, there is an illusion of a tear coming off the