Rosaura is the oldest of the three sisters, and can be viewed as a symbol of unquestioning conformity to societal expectations. She submits to the will of Mama Elena, who fills the role of a domineering patriarch in the family. Mama Elena is selfish and masculine, “merciless, …show more content…
Instead of conforming to a traditional feminine gender role, she subverts expectations, eloping with a soldier in the revolution, and later becoming a general in the army, a traditionally male role. Gertrudis’ burst of passion is brought about by Tita’s roast quail in rose petal sauce in a notable case of magical realism, as a soldier, drawn by a “higher power” (p 51) to “quench the red-hot fire that was raging inside her” (p 52), “carried her away” (p 52). When she returns to the ranch as a prestigious “general in the revolutionary army” (p 163), in a “powerful position” (p 163) and “happily married” (p 163). She is respected, with a “court of admirers” (p 163), despite her transgression of societal norms by taking a traditionally male gender role. Her respectability despite her non-conformity shows that the most important thing is to only follow traditions and social norms if they lead to self-fulfilment, as opposed to Rosaura’s form of stifling self-repression in the name of conformity, as well as showing the value of female agency in …show more content…
She does this primarily through her characterisation, using symbolism to enhance the reader’s understanding of the characters, as well as the reversal of conventional gender roles by many characters. The understanding of gender roles in society, and the way that they are presented by Esquivel conveys a number of ideas, such as the danger of blindly following tradition, the importance of a balance between conformance to valuable traditions and rebellion against harmful ones, and the arbitrariness of gender