Roots is, in Alex Haley’s words, a “novelized amalgam” of documented historical and fictionalized events. Haley’s artistic intent, that his family’s narrative should serve as a symbolic saga for all Americans of African descent, pervades the novel on all levels. With the exception of the last three chapters, the novel is told from an omniscient, third-person perspective.
In the spring of 1750 in Juffure, The Gambia, a son is born to Omoro Kinte and his second wife, Binta. The child is named Kunta…
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