He asked Athena and Hermes for help and two of them, together with the nymphs, provided winged sandals to fly him to the end of the world where gorgons lived, a cap that made him invisible, a sword and a mirrored shield. The latter was the most important tool Perseus had, since it allowed him to see a reflection of Medusa’s face and to avoid being turned into stone.
When he cut Medusa’s head off, from the drops of her blood suddenly appeared two offspring: Pegasus, a winged horse, and Chrysaor, a giant or a winged boar. It’s believed that those two were Medusa’s children with Poseidon. In any case, once he accomplished his task Perseus flew back and escaped Medusa’s sisters who tried to reach him. Later, Perseus used Medusa’s head as a weapon in many occasions until he gave the head to Athena to place it on her shield. The myth of Perseus and Medusa was one the most powerful inspiration for many artists in the ancient times, but it hasn’t lost its artistic significance to the present day either. Paintings and sculptures of the moment of beheading or Medusa’s portrait itself are famous all over the world. One of the most known art work is the Medusa shield by Caravaggio, painted at the end of the 16th century. It is exposed in the Uffizi museum in Florence. Close by the museum, in the main plaza of Firenze there is a sculpture of