Michael Clark

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This essay examines the practitioner Michael Clark and his work. The aim of this essay is to explore and demonstrate of how the topics Postmodernism and Sexuality are involved into Michael Clarks pieces with the purpose to explore how he got these two topics involved into his performances and in which ways. Through this essay the practitioner’s work is going to be analysed by interculturalism, looking closely into audience’s reviews and the specific lifestyle Michael Clark is following and being inspired for his pieces.

Michael Clark is a dancer born and raised in Scotland who has been trained into ballet and contemporary dance. His very first choreography on stage was in London’s Riverside Studios, where he became resident choreographer. He …show more content…
It was mentioned that he was glowing into the dark. Outwardly, the show is packed with irrational and amusing pictures: an enormous green phone rushed access the stage, never to return, a container of McDonald's fries brought down delicately from the rooftop and spilling its substance over the artists who tumble down dead, an execution where a mortar head goes flying, Brix getting wheeled in on a monster Big Mac and, inconceivably. Stamp E Smith looking out and out spruce. As it seemed none of the theatre audience were disappointed and if they were, they didn't show it. The trendies and The Fall fans appeared to be glad. Under this point is good to mention the interculturalism message Michael is passing here through his piece while he is including the giant hamburger and big French fries representing of that time’s foods and culture throughout a funny postmodernism

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