Keating corrals his architectural designs to fit inside the socially acceptable realm of traditional architecture. At the Stanton Institute, he graduates and takes a job at a prestigious design firm, climbing his way to the top in many immoral ways. In the case of Lucius Heyer, Keating realizes that to continue his professional advancement, he must get Heyer out of the way. To do this, he pretends to be friendly with Heyer, until he finds a few financial issues with his accounts. Then, following Heyer’s first stroke, Keating accuses the man of wrongdoing, causing a second stroke that kills him. Effectively, Keating killed Heyer to climb higher in the firm. Yet Keating continues to follow traditional designs, often looking to Keating for advice, but never straying from what he has been taught to conform to. Keating admits his leech-like nature to Roark, saying “Howard, I’m a parasite. I’ve been a parasite all my life. You designed my best projects at Stanton. You designed the first house I ever built….I have fed on you and on all the men like you who lived before we were born…If they hadn’t existed, I wouldn’t have known how to put stone on stone,” (Rand 575). Keating ultimately realizes that all of his life, he had just been imitating those before him, remaining comfortable and complacent with widely-accepted ideas. Keating symbolizes the stubbornness of members of society who refuse to change, and the conformity