Ursula “would represent the image of Chía; Pilar Ternera, who bears two grandsons of José Arcadio and Úrsula, arranges trysts and ends in a wicker chair in a brothel, surrounded by weeping prostitutes, is much in keeping with the image of Bachué” (Corwin 65). Chia is seen as the motherly figure and “the good goddess who emerges from the Iguaque lagoon with a three year old child, her own” and she eventually “returns to the lagoon, or becomes the moon, depending on the sources of the myth” (64). While Bachue is known as the temptress and “goddess of drunken debauchery” (64). She “emerges from the same lagoon with her three year old son in tow, and at his coming of age procreates and populates the land with him. Bachué [...] is turned into an owl as punishment for her incest” (