The latest release “Punk Cathedral” by: The Kiss That Took A Trip is a 77 minutes of collective tunes and special moments from the past. As most of us will agree, The Kiss That Took A Trip have always bring a unique brand of freshness to its sound. Unlike many other outfit, for a start T.K.T.T.A.T is a one-man band that sound and feels like a proper trio outfit. Keeping an open mind, that’s not to say they are any superior or unfavourable than their peers, even those few who have continue to produce for a long time with the same firmness. It’s just that T.K.T.T.A.T also known as M.D. Trello, whose discography reflects mass to its fluctuation, often in varieties, has only become tougher to define with time.
It’s one of those remarkable solo…show more content… We’ve all experienced it on other releases such as ‘Happiness In The Presence Of Sadness’ or ‘Electroforest’, the opening movement on all those releases are simply a natural doorway that have the tendencies to swallow you as you progressively as go with the flow. Similarly, the introduction piece ‘Ambient Punk’ on “Punk Cathedral” brings some effective tuning with melody and passion that despite the brooding feeling and pace it fits genuinely alongside with The Kiss That Took A Trip past work. The sense of vastness truly prevails on a higher scale, although I wouldn’t go as far as being on a Biblical proportion but seriously a touch of Mogwai influence in rather distinctive on this particular…show more content… So you can imagine my initial reaction to the news that the band were releasing a new album or in this particular case a collection of songs. To a certain degree I was rather benevolent, along the lines of a big, EMM… let’s see what the band has got to offer. In many ways I can say that I was somehow posh with anticipation, wondering if this latest collection would render itself as enjoyable as T.K.T.T.A.T previous titles. From the nominal opener ‘Ambient Punk’ all the way to the exit movement ‘Queen Of The Night Shift’ we are indeed treated with a series of translucent pieces containing string and arrangement that elevate to a miniature symphony. But that’s not the point though, in all fairness lots of the stand out tracks feature a stamp signature of The Kiss. For instance, if I am walking around Basingstoke or Reading Mall and they got ‘Glorious Racket’, or ‘Dry Swallow Pill’ playing in the background, I would instantly recognize the tune and goes like, oh that’s T.K.T.T.A.T playing. And to my understanding, in the world of music to have reached a stage where someone instantly recognized your music either by the vocals or by musical arrangement, that alone is major
