The manifestations attributed to the disease quickly became associated with witchcraft. Symptoms included neck and back pains, tongues being drawn from their throats, and loud random outcries; other symptoms included having no control over their bodies such as becoming limber, flapping their arms like birds, or trying to harm others as well as themselves. These symptoms would fuel the craze of 1692. The girls screamed, threw things about the room, uttered strange sounds, crawled under furniture, and contorted themselves into peculiar positions, according to the eyewitness account of Rev. Deodat Lawson, himself a former minister in Salem Village.The girls complained of being pinched and pricked with pins. A doctor, historically assumed to be William Griggs, could find no physical evidence of any ailment. Other young women in the village began to exhibit similar behaviors. When Lawson preached in the Salem Village meetinghouse, he was interrupted several times by outbursts of the …show more content…
In the decades following the trials, the issues primarily had to do with establishing the innocence of the individuals who were convicted and compensating the survivors and families. In the following centuries, the descendants of those unjustly accused and condemned have sought to honor their memories. The trials have figured in American culture and been explored in numerous works of art and literature. The story of the witchcraft accusations, trials and executions has captured the imagination of writers and artists in the centuries since the event took place, many of which interpretations have taken liberties with the facts of the historical episode in the name of literary and/or artistic license. Occurring at the intersection between a gradually disappearing medieval past and an emerging enlightenment and dealing with torture and confession, such interpretations draw attention to the boundaries between the medieval and the postmedieval as cultural