The elements of a trek are simple, as explained by Thomas Foster in the book How to Read Literature Like a Professor, “A knight, a dangerous road, a Holy Grail (whatever one of those may be), at least one dragon, one evil knight, one princess” (Foster 6). From this cookie cutter outline for a novel authors have been able to develop incredible stories throughout the year without letting the system become repetitive. Thus a question arises; What makes Siddhartha different? The difference between Siddhartha and the rest of the irrelevant stories is the combination of literary techniques perfectly assembled by Hesse. The beginning of the novel depicts the extensive usage of detail perfectly “In the shade of the house, in the sunlight on the riverbank near the boats, in the shade of the sal tree forest, in the shade of the banyan fig Siddhartha grew up, the handsome son of the Brahmin, the young falcon, together with Govinda, his friend, the son of a Brahmin. Sunshine browned his pale shoulders on the riverbank, while bathing, during the ritual ablutions, during the sacred offerings” (Hesse 5). The novel is unique by way of