The figures are generally agreed to be: St. Peter, Adam, St. John the Evangelist, David, St. Stephen, and Jeremiah. On Christ’s left, there are St. Paul, Abraham, St. James, Matthew, Moses, St. Lawrence, and Judas Maccabaeus. The lower level contains figures such as St. Gregory the Great, wearing a papal tiara; he is well known for having written a life of St. Benedict. Next to him, moving left, is St. Jerome, was the translator of the Hebrew Scriptures into Latin, accompanied by a group of unknown characters. The figure on the far left margin is thought to be Fra Angelico. On the other side of the altar, a man points towards heaven as he turns to a seated figure, generally agreed to be St. Ambrose. Next to him, St. Augustine is the last of the four doctors of the Latin Church to appear in the fresco, along with Ambrose, Gregory and Jerome. St. Thomas Aquinas, Pope Sixtus IV and Dante can also be identified.
Assuming that Stanza Della Segnatura was planned as a private library, one wonders whether this meditation on the nature of individual study could be Raphael’s subtle way of disagreeing with papal