Sula

Words: 547
Pages: 3

The social construct of gender is often very problematic, particularly for the women who live within chauvinistic societies. We find that the female voice is often displaced by that of the male, and soon the female entity is also eradicated demonstrating the undeniable omnipotent patriarchal ideals of our time. All three writers offer differing responses to this patriarchal colonisation from the female perspective. Through Sula and The Longest Memory and Grace Nichol’s poetry anthology we witness the metaphorical colonisation of women and the battles subsequently fought. Toni Morrison an African-American female and feminist writer, sets the novel Sula in a somewhat matriarchal society, still heavily influenced by men. We find here the main female characters are strong, independent leading ones who have developed these steadfast personas through the absence of men. This is perhaps a reflection of Morrison’s ideal society …show more content…
Fred D’Aguiar’s approach is different in the way that he conveys his rather raw outlook on patriarchal colonisation of the female particularly the body.

The wording of the above question can be amended. “The patriarchal colonisation” can be replaced with “White Western Male colonisation” all three studied texts are post-colonial, making this applicable, however we see hints of non-white patriarchy also. The patriarchal colonisation of the female body is an underlying theme for both novels and studied poetry. Although Sula does not include examples of “The White Western Male” exploiting the bodies of females the way D’Aguiars novel does, there is still the idea of the male gaze – a term coined by feminist critic Laura Mulvey. It describes the inclination within visual culture to depict the surrounding world and women through the eyes of