Dracula exemplifies strong religious motives and Stoker bases his argument for the “primitive other of religion/superstition” off of William Robertson Smith and James Frazer. These are both theorists that base their superstitions on taboos. “For these theorists, the basis of the superstitious mentally lies in the principle of taboo, according to which the divine and the unclean are one and the same divinity manifests itself in contagious physical transmission” (Herbert, 2002). Through Christianity Van Helsing and his friends are able to support their superstition and positions as the anti-vampire as they fight against their existence. This novel is full of superstitious thinking, it supports moral conception, the count is seen as “an object of religious veneration”, and we see religious tools being brought into the novel. Moral conception would have been a commonly known danger to Victorian middle classes. It provided anxieties about transmitting uncleanliness. The count is seen as a religious “veneration” meaning someone who you believe in greatly or have a large amount of respect for. There is a daunting feeling to the religious tools brought in such as the crucifixes and communion wafers. All of these bring in both a religious standpoint and an uneasiness to the readers of the Victorian Era. Throughout the novel we see vicious purification in the society from the impact of nonreligious people,