The chorus at one-point remarks, “passions are fierce and hard to cure when those close to each other join in strife” (Medea, 522-523). The most profound hate emerges from the loss of the deepest love and through Medea’s reaction to Jason’s new marriage, it is apparent that she truly once loved him. By exercising his cultural prerogative as a male to remarry, Jason divulges himself to be weak in character, which is contradictory and inconsistent with his reputation as a hero. By doing so, Euripides unveils the hypothetical entitlement to prominence and authority of men as a buffer for their actual insecurities. Medea’s instinct to act on rage is understandable due to her position in the ancient Greek society. Naturally, Medea seeks justice from higher powers, therefore causing her to chant to Themis and Lady Artemis that “may [she] one day see him and his bride pounded to nothing, house and all” (Medea, 163-164). According to Greek mythology, Themis is the goddess of justice and Lady Artemis, the goddess of wild beasts and hunting. By choosing these specific gods to chant to, Medea is outwardly expressing her hatred for those who cause her grief. Seeking justice, Medea desires the need to hunt down Jason and kill him like the beast he presumably sounds to be. She seeks comfort in the thought of causing Jason and his bride anguish. By yearning for Jason to lose his …show more content…
The repetitious nature of Medea’s ongoing hatred of the biased and unjust ways of the Greek society establishes the mood of Athens, Greece in 431 BC and displays the perspective they hold on women. Throughout the play, Jason excruciatingly reiterates his belief of how “a female sex should not exist” (Medea, 575). During this time period, Greece is in fact male dominated with little to no opinion of the female gender. The fact that men have an unchanging opinion on women suggests that they are in a perpetual state of power and control. Women essentially are not even allowed to grasp power as they are automatically born as an unappreciated gender. Jason evidently shows no respect for women, further proving the typical male viewpoint of women. He deems women as “evil” (Medea, 576), disregarding the innocence many women carry. Euripides highlights within the cited speech many of the injustices endured by women, principally their lack of a public life and autonomy in marriage. Medea becomes a timeless symbol of feminine revolt even though she is a woman and also a foreigner. The chorus supports Medea’s standpoints regarding sexism as they acknowledge that Jason is “superficially convincing” (Medea, 577). Euripides incorporates this oxymoron pronounced by the chorus in order to develop the feeble mood of the play. This figurative language develops the idea that what Jason considers as the truth is insubstantial