The shadow archetype in “Heart of Darkness” is shown in the Congolese natives. The natives which Marlow encounters are seen as uncivilized savages who listened to their most base desires and instincts without rational thought; this was very much frowned upon by the English people, being the “civilized” people they were. Even the Congo itself represents a facet of the shadow archetype. For Marlow, “going up that river was like travelling back to the earliest beginnings of the world, when vegetation rioted on the earth” (55 Conrad); in essence, this primordial river and the native beasts which lived on this land are seen as the characteristics and the traits of a time long, long ago, no longer accepted by society. An interesting thing to note is that, while the European pilgrims fit the archetype of the respectable persona, the character of Kurtz as a whole and Marlow’s “faintest trace of a response to the terrible frankness of that noise [the natives]” (60 Conrad), shows that Jung’s archetypes are fluid and one character can have characteristics of multiple Jungian archetypes at different parts in their