Adhering to Neoclassicism, brushstrokes are not apparent in the painting, due to the fact that oil paints have a very long drying time, allowing for the color transitions and shading to be smooth and natural. Gérôme's palette is not wildly bright, but the colors he has chosen portray the scene as colorful, typical to Orientalism paintings of the time. Other Neoclassical elements of the painting include its shallow occupancy of space and its strong horizontals and verticals. The patterns and coloring Gérôme has given the walls draw clear horizontals, and the towel and the boxes on the ground offer verticals. There are also subtle lines to be found in the gridded tiling of the walls and the floor. The strength of these lines lend themselves to a feeling of timelessness: geometry doesn't change no matter how much time has passed, and in this case it gives the painting a sense of a moment forever paused. As for the women in the painting, they represent an idealized form of body, particularly so the fair one. Her figure is curvaceous and elegant. She is the brightest object in the painting, which likely also speaks to how attractive the viewer is meant to find her, and light falls tastefully on her shoulders and the back of her neck. Overall, it is satisfying to see the serenity with which she is bathed by the