Proctor's determination to remain faithful to Elizabeth establishes his character's morals, and provides Abigail with her sole motivation throughout the remainder of the play. Prior to Scene 3, Abigail views Elizabeth as an inconvenience because she is preventing Abigail from being with Proctor. Now, however, Abigail sees Elizabeth as a threat because Proctor no longer acknowledges his feelings for Abigail. Up until this point in the play, Abigail's only concern has been concealing her behavior in the woods and her affair with Proctor.
Miller places the relationship between Abigail Williams and John Proctor at the heart of ‘The Crucible’ to create and intensify tension between characters and to demonstrate how a character’s powerful motivations are enough to tear apart an entire society. Miller’s initial description of Abigail as a ‘strikingly beautiful girl’ strongly contrasts with Parris’ deduction that she is someone whose name is ‘not entirely white’ among the people of Salem, which increases the tension of the play and draws the audience in. The word ‘white’ immediately evokes an idea of purity, innocence and virginity, and so Miller subtly reveals to the audience that Abigail is not entirely as she seems. This initial interaction successfully shapes the audience’s perception of Abigail, reflecting a guilty side to her character.
About half way through Act One, John Proctor’s entrance to the stage causes a ‘leap in fright’ in Mary Warren and Mercy Lewis to become