This three stage cycle is orthodox throughout many Greek heroic epics such as those of Homer and Virgil, in which heroes face the same fate of departure, trial, and return (Cook 1). Intrestingly, common to both the phases of trial of these ancient poets is the hero’s rather mysterious descent into the Underworld, a realm often seperate from the real world where heroes have the ability to communicate with the dead. The existence of this Underworld owes itself to the Greek mythological belief that death wasn’t the actual end — it was the beginning of a journey to a realm far from the actual world where identity survives in a shadowy afterlife of disembodied souls (Mystakidou 25). In Greek langauge, the descent into this Underworld is termed katabasis, literally meaning a journey to Hell or world of the dead while the word Nekuia describes the actual invocation