As the story progresses, Robert’s capacity to kill grows gradually. In the beginning, Robert has no intention to harm anything, not even Rowena’s rabbits, and "[he] had never aimed a gun at anything" (24). Then, he struggles to put the injured horse to death as he “could barely move in his panic” (61). Findley implies Robert’s innocence is about to be lost by placing a “pale and frightened boy named Regis" (66). With the loss of innocence comes corruption, which indicates the beginning of Robert’s dehumanizing process. Eventually, Robert becomes aware of the realities of warfare and learns how to kill. His violence emerges when he automatically shoots a German sniper overlooking his team in the crater. Similarly, Juliet views Robert’s aggression and fragile state when she sees “him firing his gun in the woods at a young tree”, and “[destroys] it absolutely” (158). Both of these instances demonstrate that war affects Robert by taking away his ability to rationalize and instead leaving him with violent behaviour. Robert’s transition into a killer becomes apparent when he shoots Captain Leather “between the eyes” (56). This unethical act signifies Robert’s loss of any remaining good behaviour. He reaches his limits, loses control, and portrays animal-like behaviour. Furthermore, he also kills Private Cassels, after he tries to prevent Robert from escaping with the horses. Robert again commits the monstrous act of killing signifying that he is used to it. He does not feel any remorse or regret when he kills; therefore, he has changed into a damaged, inhumane product of