The narrator demonstrates her disagreement to John by saying, “Personally I believe that congenial work, with excitement and change, would do me good” (Gilman 1). The disagreement is over the fact that John has confined her to the attic room in a summer home. Her confinement leads her to obsess over the patterns on the walls, where she creates a woman she believes is trapped inside the wallpaper. This obsession causes her to believe she is the woman in the wallpaper, saying, ““I’ve got out at last,” said I, “in spite of you and Jane! And I’ve pulled off most of the paper, so you can’t put me back!”” (Gilman 17). The woman in the wallpaper is the narrator herself in the room, but she is unaware of that. The narrators of both “The Tell-Tale Heart” and “The Yellow Wallpaper” demonstrate their submission to madness through being unable to decipher between what is real and what is fictional, and living in solidarity, leading to obsession and